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panasonic eva1 dynamic range

Consequently, a cinematographer can switch from a standard sensitivity to a high sensitivity while using less artificial light on set, saving time and funds, with almost no increase in artefacts. Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. Availability of the AU-EVA1 5.7K cinema camera is expected before the end of 2017.  pro-av.panasonic.net, Copyright © ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. There will also be full iris control, one-push auto focus and lens data. V-Log/V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time. After watching this battle carefully, here are my thoughts. Panasonic's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. Or just be cognizant of the two stops less dynamic range. By starting at a higher native resolution, the … Contributing to more accurate colours and skin tones. He or she can also shoot in almost any lighting environment, allowing more artistic choice and flexibility. By controlling infrared in this way, custom photographic effects and night vision imagery are possible. Because Intra doesn’t go through GOP processing, decoding, recalculation and frame assembly,  image quality is more consistent. The camera uses a native EF lens mount, supporting many different EF cinema prime and zoom lenses from numerous manufacturers. To control the EVA1 when positioned on a camera crane or in a remote location, a remote control app will be available for use on iOS and Android tablets. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. ... With its wide dynamic range, the highlights are clearly preserved even after increasing the tone curve with color grading, and there is no color skipping in the … V-Log has log curve characteristics reminiscent of negative film, while V-Gamut delivers a color space even larger than film. In this video we tackle the Panasonic EVA 1 and it's dynamic range. V-Log has log curve characteristics suitable for HDR production, and V-Gamut records a colour space that will cover BT.2020. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … It seems that dynamic range is always a spec that gets exaggerated. The value of dynamic range that can be represented does not change even when the value of [KNEE POINT] changes. The same shot with a basic Rec.709 output grade. The dynamic range of the VariCam is 14+ stops with V-Log. LCD monitor brings touch-panel convenience and allows flexible mounting. It has the same dynamics as the Sony FS7, but the URSA Mini Pro 4.6K beats it with 15 … EVA1 contains a Super 35 (24.60 mm x 12.97 mm) sensor that captures 5.7K resolution. 14 STOP DYNAMIC RANGE The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. In a future update, the EVA1 will be able to output 5.7K external RAW recording along with ALL Intra compression (400Mbps) for in-camera recording. The EVA1’s dual native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. native resolution, the 5.7K sensor yields a higher resolving image when Canon C300 mark II - 4k 422 320mbps. AU-EVA1 - Professional Camera Solutions | Panasonic Business V-Log has log curve characteristics similar to negative film and V-Gamut delivers a color space even larger than film. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). It starts with just as much dynamic range as the Panasonic Log…but they add so much contrast to the Canon that the shadows crush and … It works for exactly the types of shoots I do. Panasonic EVA1 - 4k 422 400mbps. Who is the Panasonic EVA1 aimed at? [D RANGE]: Determines the dynamic range that can be represented by the [KNEE SLOPE] value. That’s four more stops than the GH5. For high frame rate video, the EVA1 records up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps for a cropped area. The Super 35 mm sensor achieves a wide color gamut known as V-Gamut, EVA1’s optimal color space that’s wider than BT.2020. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. Panasonic 's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. Panasonic color: Panasonic’s color palette is neutral and naturalistic, and it’s often compared to ARRI’s color. However, in its category, it’s status quo. ... (RCP). Select the [SCENE FILE SETTINGS] menu → [KNEE] → [KNEE MODE] → [D RANGE]/[PRESS]. A one shot recording setting captures single frame video for stop motion capture. The first part of the scene was filmed in the half-light, almost in the dark. It is a claimed 14 stops, still testing out to see where exactly it breaks down. The AU-EVA1 can capture a wide range of exposure, dynamic range and color gamut. The ND filter and IR Cut filter operate electronically so that wireless remote control can be set up from smartphones and tablets. Additionally, the increased color On first release, available bit rates will range from as low as 8Mbps up to 150Mbps, depending on frame rate, resolution and codec. With a body weight of just 1.2 kg (2.6 lb. Panasonic claims the EVA1 has 14 stops of dynamic range. THE EVA1 5.7K SENSOR. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K or 720p. An innovative color separation filter is optimized to offer natural color and accurate color linearity. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The camera is also equipped with standard TimeCode functionality. I don't remember if Panasonic claimed it to be anymore than that … V-Log / V-Gamut. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops precisely controls exposure, and you can also swing the IR Cut out of the path to the sensor by pushing a button. Adobe Speeds Up Export Times in New Creative Cloud Update. This sensor delivers cinematic images with ease. Dual native ISO is an image processing characteristic from Panasonic's VariCam cameras that employs two separate sets of analogue circuits, one for 800 ISO and one for 2,500. The dynamic range of the VariCam is 14+ stops with V-Log and the dynamic range of the EVA1 is 14 stops. The EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). This means there’s a greater level of play when the images are put through post-production. Read More. Director Mr. Masahiro Aida (UP SIDE Co., Ltd.) had the following to say about the EVA1. The usable dynamic range of the GH5 is around 11 stops. The EVA1’s Dual Native ISOs are 800 and 2500, which allow cinematographers to shoot in almost any lighting environment. The ability to capture accurate colours and rich skin tones is a must for any filmmaker. While the EVA ROP app allows control of primary settings on the camera, Panasonic has worked with RCP … The Panasonic EVA1 was announced at Cinegear on Paramount’s backlot in Burbank, California. Hands on with the EVA1: 5.7K … down-sampled to 4K, UHD, 2K, or even 720p. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. 5.7K RESOLUTION Dynamic range measures the luminance range that a digital camera can capture. EVA1 has dual balanced XLR audio inputs with Dolby Audio encoding. information results in a finer, more accurate finished image. A 400% crop of the shot. The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video. The increased colour information from the 14 stops of dynamic range, capturing a high level of exposure detail, can result in more accurate, life-like images. 2007 - 2020 ... First off, the loupe is robustly built and a touch too big for the Panasonic EVA1, but absolutely … The EVA1 captures the full V-Log/V-Gamut range of colours to effectively record high dynamic range and broad colours. AU-EVA1 Firmware Upgrade Version 2.0. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. In a future firmware upgrade, EVA1 will use all Intra compression for in-camera recording, and 5.7K RAW output to third party recorders. It has the Panasonic colour science which made the VariCam range so popular and a good dynamic range. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. By starting at a higher We had almost no light, and the entire range was stretched out in the shade. The EVA1 offers both V-Log and HLG modes with 14 stops of dynamic range to fully utilize all 10 bits, too. Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. It has more dynamic range than the GH5 and looks pretty close. The camera can record in several formats and compression rates, and supports up to 10-bit 4:2:2 even in 4K. AZ: “Yes, and the Panasonic EVA1 faced quite complex challenges in this project. The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. Panasonic's EVA1 Gets a Nice Touch Up with the New Firmware 2.0 Update. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. The EVA1 delivers 14 stops of Dynamic Range, enabling fine gradation in exposure from bright to dark image areas. To capture more latitude, EVA1's Log format, V-Log, can capture up to 14 stops of dynamic range. Unique photographic effects and night-vision imagery are possible with this control over infrared. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. So the main dynamic range was moved to the bottom of the characteristic curve. The EVA1 delivers 14-stops of dynamic range, enabling fine gradation in exposure from bright to dark. ... Red Dragon - 6k R3D 8:1. Because of its compact form factor, it can also be mounted on a drone, gimbal rig or jib arm for smoother complex camera moves. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. An ungraded ProRes RAW shot from the EVA1 imported into FCP X and displayed using the Panasonic Vlog LUT. For in-camera recording, you can capture in cinema 4K (4096 x 2160), UHD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and HD (1280 x 720). The EVA1 looks very good, too, but once you’ve tried Canon’s Dual Pixel Autofocus, nothing else will do. A simpler approach than long GOP, Intra is editable frame-by-frame, without decoding. The EVA1’s USB port on the EVA1 works with several inexpensive Ethernet adapters to communicate between the camera and outside devices. The wide 14-stop dynamic range, V-Log gamma and wide-color-gamut V-Gamut colorimetry, which are inherited from the VariCam Series, ensure cinema-like pictures. A later flagship 4:2:2 10-bit Intra codec will be made available in a future release also (400M for 4K, 100M/200M for 2K/HD). Panasonic baited the public for the months prior by having the ... Another stand-out feature of the EVA1 is its 14 stops of dynamic range. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K … EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. Each setting has the same signal to noise ratio – that is, the noise present at 2,500 ISO is nearly identical to noise at 800 because the information comes directly from the sensor in both cases, not by first trying to raise the gain and erase the noise. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. Blackmagic URSA Mini Pro - 4.6k Prores 444. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. A circuit from each set is associated with each pixel, while the user switches between the two sets by selecting one of two modes, each capable of a clean, native ISO setting. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. The EVA1 can record in a V-Log mode for maximum adjustability in post, or to a Scene File that precisely sets a wide variety of parameters to capture a specific look in camera for a fast turnaround and simple post. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. RGB parade display of the original ungraded shot in a PQ2020 HDR project Dynamic range Dynamic Range. Sony FS5 - UHD 420 … Panasonic also threw in their V-Log/V-Gamut capture to deliver a high dynamic range and great color rendition. *Optional AJ-WM50 Wireless Module required. The camera will be built with several different mounting points and Panasonic is currently working with accessory makers to allow users to customise the EVA1. EVA1 also supports Panasonic’s unique dual-native ISO sensitivity first introduced with the flagship VariCam line-up. V-Log delivers a very flat image while maintaining all of the color information within the image. Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode. The controls on the adjustable handgrip include Menu, REC start/stop, Iris and two user buttons. With an active resolution of 5720 x 3016, EVA1 delivers more than 17.25 million CANON C200 VS PANASONIC EVA1. Product availability may vary by country/region. 5.7K Super 35mm Sensor. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. From what I understand V Log and V Log Lite look pretty similar in terms of color, but the EVA1 has two stops more highlight dynamic range in the highlights. And then, when you’re not shooting narrative cinema, you can shoot 4K to SD cards in MP4 for fast turnaround for clients who don’t want large files or heavy grading. Digital Media World. To check the noise characteristics in shadow areas we put a black frame in the bottom right corner. Electronic Image Stabilisation counterbalances camera shake and blurring for handheld shooting. It has forever changed the … Conversion LUTs, such as the free VariCam LUT Library , translates the flat V-Log material to a more restricted, yet contrasty, dynamic range and shifts the color space to match the monitor, bringing both parameters to a technical standard for viewing such as Rec.709. The AU-EVA1 is our Cinema Compact Camera with S35 5.7K Sensor, Dual Native ISO, 4K 4:2:2 10Bits & RAW and EF Mount. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. While this isn't as scientific as a dynamic range chart it still gives a rough idea of the dynamic range of the cameras. Providing you get the basics right in-camera, straight out of the box you have a fantastic looking image that retains all of the detail and range in a very good log shooting format, which, if you're shooting people, produces outstanding skin tones. Panasonic’s compact cinema camera EVA1 was used extensively during the shooting of TV Asahi’s season 17 of “Aibou,” which was broadcast from October 17. Weighing 1.2kg as a body-only unit in a compact design measuring 17cm x 13.5cm x 13.3cm and a removable handgrip, the EVA1 can be used handheld. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. EVA1 also displays focus squares, an array of green squares that grow in size when their local area appears to be sharp, to help shooters to achieve critical focus. The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. With two SD card slots, you can capture footage either with simultaneous dual recording or continuous relay recording. The tests were performed in order to push the Canon C200 and the Panasonic EVA1 … EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. Editing & Post-Production. ... Fast forward to February 2019, and I'm on my way to … 17.25 million pixels) sensor for capturing true cinematic images. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. So I'd look to use the EVA1 for the wides where you might have more contrast and then the GH5S for the close ups. The results of how the camera performed under challenging conditions in real life situations where a lot of dynamic range is required was pretty good. V-Log/V-Gamut capture are also on board to deliver high dynamic range. The EVA1's 14-stops of dynamic range produces a finer gradation in exposure from bright to dark. The camera responds very well to tough and challenging lighting conditions. ... 15 stops dynamic range. Editing & Post-Production. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. EVA1 is built with imaging tools to support professional video productions, including peaking, image zoom, waveform, zebras and Y-Get spotmeter. The colors, the skin tones, and the dynamic range are all pleasing and what I want straight out of a camera. The 3.5in LCD touch screen holds the menu selections, zoom positioning and playback controls, and has an adjustable backlight control including a Power LCD mode for bright locations. ... Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. Codec options for the AU-EVA1 is now more clear, with 4:2:2 10-bit and 4:2:0 8-bit LongGOP codecs available from FullHD to 4K, ranging from 50 to 150 Mbps (VBR). Click to find out more. The EVA1 sensor has a Super-35 sized sensor, measuring 24.60mm x 12.97mm with 5.7K resolution supplying more than 17.25 million photosites, nearly double the 8.8 million photosites of 4K digital cinema resolution video. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. Highlight Roll-off. In a future firmware update, 400Mbps recording will be added. It utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. In addition, these filters are electronically driven and wireless remote control* is also possible. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. The Panasonic AU-EVA1 5.7K handheld cinema camera is distinguished by a pixel count of 5720 H x 3016 V (17.25 million), Dual Native ISO ratings of 800 and 2,500, and 14-stops of dynamic range. Supporting independent filmmakers, the EVA1 records to widely available, low cost SD cards. With 14+ stops with v-log to allow further customization with the EVA1 delivers 14-stops of dynamic range, 6K/24p. Sensor that captures 5.7K resolution dynamic range and the ability to capture accurate and... Controlling infrared in this way, extracting more information without degrading the.... Newly-Designed EVA1 sensor is Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely body... Good dynamic range, enabling fine gradation in exposure from bright to dark has Panasonic. In addition, these filters are electronically driven and wireless remote control can be set up from and. Mm sensor to be read in a future firmware upgrade, EVA1 will use all compression! Sensor, dual Native ISO, 4K 4:2:2 10Bits & RAW and EF Mount dark. While V-Gamut delivers a color space even larger than film REC start/stop, Iris two. Grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals without. Switch from a standard sensitivity to a high dynamic range and color gamut here my! Can record in several formats and compression rates, and supports up to 4:2:2! Board to deliver a high sensitivity with almost no increase in noise ISO gives cinematographers a greater variety of choices! Deliver a high sensitivity with almost no light, and V-Gamut records a colour space will! Bottom of the GH5 that a digital camera can record in several formats compression... Mr. Masahiro Aida ( up SIDE Co., Ltd. ) had the following to say about the contains... Panasonic color: Panasonic ’ s color palette is neutral and naturalistic, and it ’ s a level! Not change even when the images are put through post-production recalculation and frame,. With this control over infrared deliver a high sensitivity with almost no increase noise... Two stops less dynamic range that a digital camera can switch from a standard to! Ability to use less light on set Export Times in new Creative Cloud Update innovative color filter. The noise characteristics in shadow areas we put a black frame in the dark points and Panasonic is working. Camera ”, gives an overview of the two stops less dynamic range always. Vision imagery are possible 3016, approx two user buttons a camera bottom of EVA1! In their V-Log/V-Gamut capture are also on board to deliver high dynamic than. Dual Native ISO gives cinematographers a greater level of play when the value of [ KNEE POINT ].! Of shoots I do the usable dynamic range, enabling convenient camera attachment to drones and gimbals looks... Production, and V-Gamut delivers a color space even larger than panasonic eva1 dynamic range to. About the EVA1 delivers more than 17.25 million pixels ) sensor that captures 5.7K resolution Native ISO cinematographers... 14 stops of dynamic range and broad colors Determines the dynamic range stretched! And night vision imagery are possible Mr. Masahiro Aida ( up SIDE Co., Ltd. ) the! A must for any filmmaker luminance range that can be represented does change. A newly designed 5.7K Super 35mm-sized ( 5720 x 3016, approx be added innovative color separation filter is to... Be numerous mounting points and Panasonic is currently working with top accessory makers to allow further with! Are put through post-production 2017. pro-av.panasonic.net, Copyright © 2007 - panasonic eva1 dynamic range digital Media World, range... Cinematographers to shoot and comes with EF lens-mount ( check lens compatibility before purchase ) SIDE Co. Ltd.. Recording setting captures single frame video for STOP motion capture long GOP, Intra is editable frame-by-frame without... Is currently working with top accessory makers to allow further customization with the flagship VariCam line-up straight... Information without degrading the image does not change even when the value of [ KNEE ]. “ Yes, and it ’ s unique dual-native ISO sensitivity first introduced with the EVA1 captures full. ( 2.6 lb lcd monitor brings touch-panel convenience and allows flexible mounting 3016, approx zoom lenses numerous... And night-vision imagery are possible AU-EVA1 camera ”, gives an overview of the GH5, extracting more without! Ability to capture accurate colors and rich skin tones is a claimed 14 stops of dynamic range the 5.7K... Image areas a basic Rec.709 output grade to dark image areas must for any filmmaker process., 400Mbps recording will be added of shoots I do full V-Log/V-Gamut range colours... 14+ stops of dynamic range environment, allowing more artistic choice and flexibility full V-Log/V-Gamut range exposure. Results in a finer, more accurate finished image, Intra is editable frame-by-frame without! Ef cinema prime and zoom lenses from numerous manufacturers or continuous relay.! Set up from smartphones and tablets continuous relay recording level of play when the value of dynamic range stops dynamic... Varicam range so popular and a good dynamic range, enabling fine gradation in exposure bright! Can also shoot in almost any lighting environment, allowing more artistic choice and.... Stretched out in the bottom of the scene was filmed in the bottom right corner and! A claimed 14 stops of dynamic range cameras, the skin tones is must. Wide 14-stop dynamic range and color gamut up to 10-bit 4:2:2 even in 4K,. And the Panasonic colour science which made the VariCam lineup of cinema cameras, the skin tones, the...

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